Why Wasn't Rob Schneider In Grown Ups 2 (2024)

Grown Ups 2 opened to a staggering $41.5 million, eventually grossing $247 million worldwide. Critics hated it (7% on Rotten Tomatoes), but audiences showed up. And in the thousands of reviews, comment sections, and think-pieces written about the film, the absence of Rob Schneider was, at most, a footnote. The film functioned perfectly well—or perfectly poorly, depending on your perspective—without him.

In the early 2010s, Schneider’s public persona shifted from “funny character actor” to “outspoken conservative commentator.” He was appearing on Fox News, making controversial statements about vaccination, transgender rights, and immigration. In 2013, the same year Grown Ups 2 was released, Schneider was already courting the kind of political controversy that Sandler—who has carefully cultivated an apolitical, “everybody’s funny” image—wanted nothing to do with. why wasn't rob schneider in grown ups 2

Schneider, for his part, has never expressed public bitterness. He has repeatedly praised Sandler, appearing in The Ridiculous 6 (2015), Sandy Wexler (2017), and Hubie Halloween (2020). The two remain friends. In a 2018 interview with The New York Post , Schneider laughed off the Grown Ups 2 question: “I was busy. Adam called and said, ‘We’re doing it on these dates,’ and I said, ‘I can’t.’ He said, ‘OK, next one.’ And that was it.” Grown Ups 2 opened to a staggering $41

While Sandler has worked with conservative-leaning friends before (see: Nick Swardson), Schneider’s rhetoric was becoming louder. Casting him in a family-friendly, nostalgic comedy about friendship could have invited unwanted headlines. It’s far more likely, however, that this was a minor consideration compared to the simpler truth: Schneider’s character simply wasn’t needed. The final, brutal answer to “why wasn’t Rob Schneider in Grown Ups 2 ?” is that almost no one noticed he was gone. Schneider, for his part, has never expressed public

When Grown Ups was released in 2010, critics were brutal. While audiences gave it a passable B+ CinemaScore, reviewers singled out the film’s laziness. Schneider’s character, in particular, was cited as emblematic of the problem: a one-note joke stretched to feature length. The New York Post called his performance “a desperate whimper,” and The Guardian noted that Schneider “looks lost, recycling his ‘annoying little guy’ shtick without conviction.”