👇 Do you prefer editing with ProRes or another codec? Let us know below.

Are you team or team H.264 for editing?

From to 4444 (hello, alpha channels!), there’s a ProRes for every job.

🎥 Smooth scrubbing. Instant playback. No proxy workflow nightmares.

Here’s a social media post tailored for platforms like LinkedIn, Facebook, or Instagram (carousel/caption). You can adjust the tone depending on your audience (e.g., filmmakers, video editors, or tech enthusiasts).

✅ A visually lossless, intra-frame codec. Unlike long-GOP codecs (like H.264), every frame in a ProRes file is encoded independently. This makes editing incredibly smooth, even with 4K or 8K footage.

Also — if you shoot on an iPhone or an external recorder, do you always capture in ProRes, or only for certain projects?