The pacing is often excellent. Because the protagonist isn't burdened by guilt or societal rules, the plot moves forward with brutal efficiency. The prose (or cinematography) tends to be sharp, cold, and disturbingly beautiful. It forces the reader to confront their own hypocrisy—we often cheer for the anti-hero until the line is crossed personally .
If you are picking up a book or film explicitly labeled an "immoral story," you know exactly what you are signing up for: the rejection of the "crime doesn't pay" axiom. These narratives are fascinating psychological experiments. Rather than punishing the wicked, they reward the cunning, the selfish, or the hedonistic. immoral story
The film confuses "immoral" with "tedious." The dialogue is wooden, the acting is stiff, and by the final segment (the infamous Erzsébet Báthory sequence), the shock value has diminished into mechanical pornography. It wants to be a philosophical treatise on liberation, but it ends up feeling like a soft-core magazine with a dictionary. The pacing is often excellent