[Your Name/Academic Identifier]
[Current Date]
Character Names in Gangs of Wasseypur
Anurag Kashyap’s two-part epic, Gangs of Wasseypur (2012), is renowned for its sprawling narrative, raw aesthetic, and intricate web of characters spanning three generations. While the film’s plot revolves around coal mafia feuds and revenge, a critical yet underexplored narrative device is its deliberate and culturally resonant use of character names. This paper argues that the names in Gangs of Wasseypur function not merely as labels but as semiotic markers of caste, lineage, aspiration, irony, and political allegiance, reflecting the socio-economic chaos of small-town India. gangs of wasseypur character names
Nomadic Nomenclature: Onomastics and Identity in Anurag Kashyap’s Gangs of Wasseypur Sardar) to hollow
A notable pattern is the shift from substantive names (Shahid, Sardar) to hollow, borrowed, or ironic names (Definite, Perpendicular, Faizal’s futile grace). This mirrors the film’s thematic arc: the first generation had a clear grievance (land and pride); the second generation (Sardar) has lust and fury; the third generation (Faizal, Danish, etc.) has only memes, drugs, and borrowed swagger. The names thus become less dignified, reflecting the entropy of the feud. or ironic names (Definite