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backEventsExplore the variety of events Salzburg Global hosts within Austria and in the rest of the world. Learn more about our programs and what else happens at Schloss Leopoldskron.Upcoming EventsFeb 05 - Feb 07, 2026Peace & JusticeDisruption and Renewal: Charting the Future of the International Rule of Law, Democracy, and PluralismSalzburg Cutler Fellows Law ProgramApr 13 - Apr 18, 2026CultureCreating Futures: Rethinking Cultural Institutions, Infrastructure, and InvestmentCulture, Arts and Society
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backFellowshipSince 1947, more than 40,000 people from over 170 countries have participated in Salzburg Global's sessions. Collectively, these alumni are known as Salzburg Global Fellows.
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backAbout UsSalzburg Global is an independent, non-profit organization committed to creating spaces that overcome barriers and open up a world of better possibilities.Our Approach
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Emma Bugg Mofos -
She laughed, looking at the phoenix glimmering in the dim theater light. “Anything you’ve got. The city’s still full of stories waiting to be told.”
The tech‑savvy Mofos member, a lanky guy named Jules who always wore a pocket full of LED strips, spread a crumpled blueprint across the studio floor. “We’re going to stage a 24‑hour live art marathon. Musicians, dancers, painters, poets—everyone. We’ll livestream it, get the whole city watching, and flood the council’s inbox with support. But we need a centerpiece—a visual that tells the story of the theater’s past, present, and future—all in one massive, immersive piece.”
“Next mission?” the tallest Mofos asked, nudging Emma with a playful elbow. emma bugg mofos
One rainy Thursday evening, as the city’s streetlights flickered against the downpour, Emma received an unexpected knock on the studio’s battered metal door. When she pulled it open, three figures stood in the doorway, drenched and grinning like they’d just pulled a prank on the universe.
“What’s the plan?” Emma asked, already pulling a sketchpad from her bag. She laughed, looking at the phoenix glimmering in
When the marathon finally kicked off, the theater’s doors flung open to a crowd of curious strangers, longtime locals, and a swarm of cameras. The phoenix sculpture lit up, its glass feathers catching the glow of the LED sky. Performers leapt and spun, poets shouted verses about memory and change, and the audience—both inside the theater and watching online—cheered in unison.
Emma stood backstage, a grin splitting her face. The Mofos gathered around her, drenched but triumphant, their hair plastered to their heads and their smiles as bright as the neon they loved. “We’re going to stage a 24‑hour live art marathon
Emma Bugg was never one to blend into the background. With a shock of electric‑blue hair, a penchant for mismatched sneakers, and a mind that churned out ideas faster than a server farm on caffeine, she had earned a reputation as the unofficial mayor of the downtown art district. Her studio—an abandoned warehouse turned neon‑lit sanctuary—was a collage of half‑finished canvases, vintage record players, and a wall covered in sticky notes that read things like “Dream bigger” and “Coffee is a hug in a mug.”
